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London's Design Museum to exhibit politically charged graphic design from the past 10 years.

Natasha Hitti
|
26 February 2018

An exhibition at London's Design Museum will present the most poignant political graphic iconography from the past decade, created in the wakes of events such as the Charlie Hebdo attacks, Brexit, and Donald Trump's presidency.

Called Hope to Nope, the exhibition will feature traditional posters and banners that have widely circulated in popular culture in the past 10 years, as well as charting the rise of digital media and social networking.

▲ Posters by Shepard Fairey, who created the iconic "Hope" image for Barack Obama's presidential campaign, will be displayed.

It plans to illustrate the role of graphic design and technology in influencing opinion, arousing debate, and encouraging activism – tracing the course from "hope" to "nope" with paraphernalia such as the iconic Barack Obama "Hope" poster by Shepard Fairey, which incited the Donald Trump "Nope" meme.

"The rise of social media has changed the way graphic political messages are made and disseminated," said the Design Museum. "As traditional media rubs shoulders with hashtags and memes, the influence and impact of graphic design has never been greater."

"The exhibition demonstrates how technology and graphic design are weapons wielded by the powerful and the marginalised alike."

▲ Graphic designs referencing Trump's sexual assault allegations will feature in the show.

Hope to Nope will also cover other landmark events such as the 2008 financial crash, the worldwide Occupy movement, the Deepwater Horizon oil spill, and the Arab Spring.

Composed of three main sections – Power, Protest and Personality – the show will feature a large graphic timeline, dividing the gallery space and charting the role of social technologies such as Facebook and Twitter in worldwide events from the past 10 years.

▲ Hope to Nope will also feature graphics based on some of Trump's controversial presidential decisions.

Power will look at the ways in which graphic design is used by leading institutions to assert national and political authority, and how this has then been subverted by activists and rivals – for instance, when various Soviet posters were transformed into a gay rights campaign.

The largest section in the exhibition, Protest, will showcase graphic design by campaigners and demonstrators, including an umbrella used during the 2014 Hong Kong Umbrella Revolution, newspapers from the 2011–12 Occupy London camp and responses to the 2017 Grenfell Tower fire.

▲ London artist Reuben Dangoor depicted Jeremy Corbyn "dabbing", signalling the grassroots' support for the Labour leader.

Lastly, the Personality section will display how leading political figures have been represented in graphic design, and among youth culture.

Examples include the younger generations' support for Labour party leader Jeremy Corbyn, which manifested in an unofficial Nike t-shirt and an independently published comic book that portrays the party leader as a superhero.

Caricatured illustrations of Donald Trump by major US publications such as The New Yorker, The Economist, and Time will also be on show in this section.

▲ Also in the exhibition is the smiling Guy Fawkes mask, used by activists from the international hacktivist network, Anonymous.

The Personality section also features paraphernalia such as the smiling Guy Fawkes mask, which preserves the identities of those involved in the international hacktivist network, Anonymous.

Hope to Nope is co-curated by the Design Museum's Margaret Cubbage and GraphicDesign&'s Lucienne Roberts and David Shaw, with Rebecca Wright, and will run from 28 March to 12 August 2018.

▲ Paraphernalia from the Occupy movement will be included in the show, featuring the "We are the 99%" slogan.

Access original artcicle here.


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